Damien Hirst often uses the bodies of real animals in his artwork, for example ‘away from the flock’ and ‘mother and child divided’. He has even used real human remains, ‘For the Love of God’ has real human teeth in the piece and a cast of a human skull was used. I am not comfortable using human or animal remains and wouldn’t even know where to get those sorts of things from, so I have improvised.
I did get a pigs heart from a butchers but that was as far as I wished to go, even that was revolting.
I wanted to use images of screwdrivers taking life, so I decided to use two baby dolls. These dolls where used to illustrate innocents.
For the blood I looked at what special effects people used for films years ago. I found chocolate sauce looked like blood in black and white photos so I used that.
I had to dilute it and with a few experiments came up with the right consistency.
I used the pig’s heart, as it is very close in size and shape as a human heart. Our hearts keep us alive so this is a very direst way of looking at death.
The screwdriver through the heart also looks like cupids arrows. The photos I have taken are not something that you would find on a Valentine card though
Hirst “uses shock almost as a formal element… not so much to thrust his work in the public eye… but rather to make aspects of life and death visible.”
Using provocative materials he continually explores theme of mortality in a brutally honest and thought-provoking manner.
Label Turner retrospective exhibition, Tate Britain.